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Challenged on it by a Facebook user, he has provided this explanation… " "Lee is supposed to be a ground-breaking comedian and writer, but I found little entertainment value in his material.? It was a sad and deliberate attempt to see how far he could go.
“Dass das Original des Abschlussteils auf einer Idee von Stewart Lee beruht, hab ich schon im November auf Facebook: https:// Und auf Youtube auch so angegeben: https:// Dass ich das bei diesem Slam-Auftritt nicht erwähnt habe, ist uncool. Zerknirscht: Nico (So, das poste ich jetzt auch nochmal unter dem Youtube-Video)The fact that the original of the final part is based on an idea by Stewart Lee , I’ve been in November on Facebook : [ LINK ] And on Youtube have been defined thus : [ LINK ] Is also here: [ LINK ] That I not in this Slam appearance I mention is uncool . Contrite : Nico ( So that I post now again under the Youtube video )John Robins: This Tornado Loves You. WOW-24/7 - August 2014 John Robins: This Tornado Loves You. Festmag - August 2014 John Robins: This Tornado Loves You. Chortle - August 2014 John Robins: This Tornado Loves You. Broadway Baby - August 2014“I don’t want to look like I’m sneering at the bloke because then there’ll be another on-line click-bait blog on the Daily Telegraph’s website saying I’m a left-wing snob with contempt for ordinary people.““Sure, I know how it goes. This was ultimate sick humour, and if anyone thought it funny, they must be sick as well." "Lee is supposed to be a ground-breaking comedian and writer, but I found little entertainment value in his material.? It was a sad and deliberate attempt to see how far he could go.
The Roundhouse is housed in a former railway repair shed dating back to 1847.
Established in 1994, the Camden People's Theatre has served as a launching pad for a number of contemporary theatre artists.
Fevered Sleep, the Pacitti Company, Shunt, Made In China, Scottee, Ridiculusmus and Analogue have all seen there theatre careers begin with performances at the Camden People's Theatre.
Centre 42 closed in 1983 after two decades of staging experimental theatre and live music.
After operating as a periodic theatre venue from 1996 to 2004, the Roundhouse reopened following extensive renovations with a production of Fuerzabruta in 2006.